Two new plugins today!

The first plugin, Set Material by Crease Angle, sets the materials of a model based on the crease angle of the mesh. For each selected area, the plugin creates a new color in the palette and “flood-fills” the area until the angle between the surfaces exceeds the crease angle of the mesh. The result is that contiguous areas are all set with the same palette material, and a new material is applied wherever a discontinuity occurs. This allows you to easily break a model into sections along its creases for easier texture mapping, or many other purposes.

The second plugin, Planar Map by Material, actually includes three new commands.

The first command is Fit UV Coordinates to Map. This command is essentially the same as the “max” button in the TCE, forcing all UV coordinates into the 0-1 range, but unlike “max” this scales the map proportionally instead of independently on each axis.

The second command is Adjust UVs for Bilinear Filter. This is useful for game developers. This command scales your texture coordinates by a ratio of 240/256. The purpose is to create a small seam along the edge of the texture map so that if your game is using mipmapping with a bilinear or trilinear filter, the texture won’t bleed into its neighbors in your texture cache nor will it bleed into itself if you haven’t clamped the edges.

The last command, Planar Map by Surface Material, is probably the most useful of the three. Planar Map by Surface Material applies a “best fit” planar projection to all surfaces grouped by material in the current selection. If you section your model by material, this will treat each material color as a contiguous group and apply whichever planar projection fits it best in the TCE. You’ll still need to do some manual adjustment after you map it this way–especially texture packing, as this leaves plenty of room between areas so the surfaces aren’t too difficult to select–but it can save a lot of time in laying down a base mapping before you manually refine each area.

More information about each plugin is available in the readme.

Download the Material by Crease Angle plugin. (Requires Windows XP, AC3D 6.2 or above.)

Download the Planar Map by Material plugin. (Requires Windows XP, AC3D 6.2 or above.)

This plugin exports AC3D models to Smith Micro’s Poser PZ3 format. It also generates a WaveFront OBJ file that Poser will recognize as “grouped” surfaces. This allows you to create custom characters and props for use in your Poser scenes with AC3D, and reduces the amount of time spent in the Setup Room in Poser grouping your surfaces.

Either the PZ3 or the OBJ can be used for importing a model into Poser.

The PZ3 is “pre-rigged” using the AC3D hierarchy as the skeleton and the AC3D object centres as the joint pivots. The PZ3 allows you to see working joints right away, but obviously the joints won’t be weighted as nicely as if you did it by hand. For this reason, I’d recommend starting with the OBJ file and building your skeleton in the Poser setup room instead unless your final output is a game engine or something else where Poser’s blend weights don’t matter. Like the Milkshape plugin, the Poser plugin supports null pivots. Any mesh in AC3D named “NULL_[whatever]” is treated as a null pivot so you can do “fancy” rigs if you need to. There are additional instructions in the readme.txt included with the plugin.

Download the plugin. (Requires Windows XP, AC3D 6.2 or above, Poser 6.0 or above.)

I’ve also built a sample file in case you need a working example of how to build your model.

Download the sample model.

In the sample, I’ve taken the perfume atomizer that comes in the AC3D stock model library. (You can load the original by clicking File > Library inside of AC3D and loading it from the samples folder.) I’ve re-rigged the atomizer so it can animate, then exported it using the Poser plugin. After import into Poser, I applied my materials, set the lights and tweaked the skeleton. All of the files are included so you can see each step.

• atomizer-rigged.ac – the rigged version of the atomizer from the AC3D library.
• antomizer-rigged.pz3 – the unedited poser file exported by the plugin (yes, I realized belatedly I spelled it wrong, but I didn’t want to fix all the file links, doh)
• atomizer-final.pz3 – the final file in poser, with materials applied and joint limits, etc., set

If you’re into building Poser models in AC3D, I would also recommend Dennis’s Poser Morph Target Assistant. The morph target assistant, as the name implies, will allow you to add morph targets to your Poser figures.

Enjoy!

A new version of the AC3D texture monitor plugin is available! This version adds a “smart update” feature that prevents the same texture from being reloaded multiple times, even if you use the texture multiple times in your scene. The texture monitor now also ignores files who’s “last modified” time stamp has not changed on disk within the last 10 minutes, so textures you haven’t changed don’t get reloaded. This should make load times much faster, especially in large, heavily-textured scenes.

Enjoy!

Read about the texture monitor or download the file here.

This plugin adds displacement map support to AC3D. Displacement mapping is a technique that deforms the current geometry, displacing the vertices in accordance with elevation values stored in a texture map. This technique is useful for “painting on” details onto a very high resolution mesh.

Displacement maps can be painted with 2D art tools such as Corel, Photoshop or Gimp; or, they can be exported from 3D sculpting programs such as ZBrush or Mudbox. The AC3D displacement map plugin supports 8-bit grayscale and 16-bit red-green (POV-Ray format) displacement maps.

If you are new to displacement mapping, this tutorial explains the process in more detail.

Download the plugin. (Requires Windows XP, AC3D 6.2 or above.)

This is actually a really old plugin, but it still has its uses. This plugin allows you to change the parent of a mesh or group by entering the name of the desired parent group in a dialog box. You can accomplish more-or-less the same thing via drag and drop in the hierarchy menu already, but it’s still handy when you have a really complex setup and don’t want to hunt through the list to find what you’re looking for.

Download the plugin. (Requires Windows XP, AC3D 6.2 or above.)

AC3D ships with a Milkshape ASCII exporter, but it only exports the geometry and doesn’t export the animation rig. This plug-in supplements the existing exporter by adding an alternate export option “Milkshape ASCII (With Skeleton)”. This allows you to export to Milkshape ASCII format with the skeleton and materials intact.

Download the plugin. (Requires Windows XP, AC3D 6.2 or above.)

This plugin exports your AC3D file into NMF format, the native input format of the ATI NormalMapper utility. NormalMapper allows you to generate normal maps, bent normals and ambient occlusion maps suitable for use in video games and other realtime 3D applications.

If you aren’t familiar with normal maps, normal maps are a way to make your low-polygon model look more detailed by encoding surface information from a high-polygon version of the same model into a texture map. Ben Cloward has an excellent tutorial where you can learn more.

This plug-in requires the free NormalMapper utility available from AMD in order to process the output files. The companion NormalMapperUI (Stand Alone) available at the same location is also helpful, but not required.

Download the plugin. (Requires Windows XP, AC3D 6.2 or above.)

This plugin “bakes” a texture from one object to another, allowing you to transfer texture data between two models with the same geometry but different texture coordinates–without having to re-paint the texture bitmap! This is useful if you start to paint a texture, and change your mind later about the UV map; or for games when you can’t change the layout of the map for technical reasons, but would like different UVs for convenience during painting. It’s also good for fitting text onto a warped surface or other projections that would be difficult or impossible to paint by hand.

Download the plugin. (Requires Windows XP, AC3D 6.2 or above.)

This plug-in collection adds a series of tools to AC3D that allow you to manage object pivots more effectively. With this plug-in set, you can: Set an object pivot to the highlighted vertex, zero the object pivot, rotate around the pivot instead of the centroid (numerically), or manually enter a pivot location. These functions are very helpful for setting up your model for animation or import into games.

Download the plugin. (Requires Windows XP, AC3D 6.2 or above.)

New for AC3D! This plug-in adds quick reload to the tools menu, allowing you to reload all your textures in just one click. It also includes a tiny disk monitor client that automatically notifies AC3D when your texture maps are saved to disk by your paint program. With this plug-in, you can see your changes made in Photoshop, Corel or your favorite paint program show up in AC3D right away–without any additional clicks.

* UPDATED 5/14/2008: New version with faster reload! This version tracks textures more intelligently to prevent the same texture from being reloaded more than once per cycle, even if it’s used multiple times.

* UPDATED 11/27/2008: The texture monitor is now obsolete. As of 6.4, AC3D now includes its own, much better texture monitor.

Download the plugin. (Requires Windows XP, AC3D 6.2 or above. Disk monitor feature requires TCP\IP loopback support for communicating with AC3D.)

This AC3D plug-in exports the uv map (texture coordinates) of the currently highlighted faces in DXF format, suitable for import into vector drawing packages such as Corel Draw. Very handy if you like to do your textures as vector art!

Download the plugin. (Requires Windows\AC3D 6.2 or above)